COMPLETE [PLAY]The Constant Couple by George Farquhar - thw

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ToddHW
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Post by ToddHW »

The Constant Couple by George Farquhar (1677 - 1707).

All audio files can be found in our catalog at: http://librivox.org/the-constant-couple-by-george-farquhar/
George Farquhar, the author of this comedy, was the son of a clergyman in the north of Ireland. He was born in the year 1678, discovered an early taste for literature, and wrote poetic stanzas at ten years of age. In 1694 he was sent to Trinity College, Dublin, and there made such progress in his studies as to acquire considerable reputation. But he was volatile and poor—the first misfortune led him to expense; the second, to devise means how to support his extravagance.

The theatre has peculiar charms for men of letters. Whether as a subject of admiration or animadversion, it is still a source of high amusement; and here Farquhar fixed his choice of a profession, in the united expectations of pleasure and of profit—he appeared on the stage as an actor, and was disappointed of both. The author of this licentious comedy is said to have possessed the advantages of person, manners, and elocution, to qualify him for an actor; but that he could never overcome his natural timidity. Courage is a whimsical virtue. It acts upon one man so as to make him expose his whole body to danger, whilst he dares not venture into the slightest peril one sentiment of his mind. Such is often the soldier's valour.—Another trembles to expose his person either to a wound or to the eye of criticism, and yet will dare to publish every thought that ever found entrance into his imagination. Such is often the valour of a poet. Farquhar, abashed on exhibiting his person upon the stage, sent boldly thither his most indecorous thoughts, and was rewarded for his audacity.

In the year 1700 he brought out this comedy of "The Constant Couple; or, A Trip to the Jubilee." It was then the Jubilee year at Rome, and the author took advantage of that occurrence to render the title of his drama popular; for which cause alone it must be supposed he made any thing in his play refer to that festival, as no one material point is in any shape connected with it.
( Mrs Inchbald, a critic of that time)
  • Gender Neutral casting.

    1. Is there a deadline?
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    4. Where do I find the text? Source text (please only read from this text!): http://www.gutenberg.org/ebooks/32419
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      Magic Window:



      BC Admin
      ===========================================
      This paragraph is temporary and will be replaced by the MC with the list of sections and reader (Magic Window) once this project is in the admin system.
      • Project Code: UHBDBIbv
      • Link to author on Wikipedia (if available): (George Farquhar) : http://en.wikipedia.org/wiki/George_Farquhar
      • Link to title on Wikipedia (if available):
      • Number of sections (files) this project will have: 58
      • Does the project have an introduction or preface [y/n]: No
      • Original publication date (if known):
        ============================================

        Genres for the project: Plays; Satire

        Keywords that describe the book: play comedy

        ============================================
      • BEFORE recording: Please check the Recording Notes: http://librivox.org/forum/viewtopic.php?p=6427#6430

        Set your recording software to:
        Channels: 1 (Mono)
        Bit Rate: 128 kbps
        Sample Rate: 44.1 kHz

        Submit one file per act.
      • Make sure you add this to the beginning of your recording:
        [Role], read by [your name].

        If you are reading stage directions, please include for each file:At the beginning: Act [#] of The Constant Couple, by George Farquhar. This is a Librivox recording. All Librivox recordings are in the public domain. For more information, or to volunteer, please visit Librivox dot org.

        At the end: End of Act [#].

        Please remember to check this thread frequently for updates!
      • AFTER recording
        Save files as 128 kbps MP3
        constantcouple_[role]_[#].mp3 (all lower-case) where ## is the act number.



        Transfer of files (completed recordings) Please always post in this forum thread when you've sent a file. Also, post the length of the recording (file duration: mm:ss) together with the link.
        • Upload your file with the LibriVox Uploader: https://librivox.org/login/uploader
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          (If you have trouble reading the image above, please message an admin)
        • You'll need to select the MC, which for this project is: ToddHW
        • When your upload is complete, you will receive a link - please post it in this thread.
        • If this doesn't work, or you have questions, please check our How To Send Your Recording wiki page.

        Any questions?
        Please post below
Thanks, Todd
Elizabby
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Post by Elizabby »

I'd like to read Lady Lurewell please! She looks interesting - though I don't know the play at all, I'm afraid.
ToddHW
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Post by ToddHW »

Elizabby wrote:I'd like to read Lady Lurewell please! She looks interesting - though I don't know the play at all, I'm afraid.
Enjoy! I don't know the play either but Farquhar's others have been fun.

Thanks, Todd
gloriana
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Post by gloriana »

May I read Lady Darling? :)
ToddHW
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Post by ToddHW »

gloriana wrote:May I read Lady Darling? :)
Yes!

Thanks, Todd
ToddHW
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Post by ToddHW »

Lady Darling is PL OK!

Thanks, Todd
Kitty
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Post by Kitty »

Can I please claim the role of Angelica ?

greetings
Sonia
ToddHW
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Post by ToddHW »

Kitty wrote:Can I please claim the role of Angelica ?

greetings
Sonia
Yes, Thank you!

Todd
jburlinson
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Joined: December 29th, 2014, 12:31 pm

Post by jburlinson »

Hi. Could I claim sections 1-5, Sir Harry Wildair ?

Thanks for your consideration.

John Burlinson
John Burlinson
ToddHW
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Post by ToddHW »

jburlinson wrote:Hi. Could I claim sections 1-5, Sir Harry Wildair ?

Thanks for your consideration.

John Burlinson
Great, thanks!

Note that the section numbers may change - I will be moving them around as files get submitted.

Thanks, Todd
Kitty
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Post by Kitty »

Hi Todd,

I will probably find the time to record the parts of Angelica this evening. I already read through the concerned Acts where she appears, so as to understand how she "ticks". At one part I have to do an [Aside], and here I have a question. In my opinion, the sentence that should be read as aside is the one preceding the notification. It doesn't make sense to speak the sentence after that as aside. Is this an idiosyncrasy of this text layout to put the aside notification after the part it's referring to ?

Here is the example in question. I think the part I made bold should be the aside, correct ?
Ang. Ha! Vizard!—then I'm abused in earnest—Would Sir Harry, by his instigation, fix a base affront upon me? No, I can't suspect him of so ungenteel a crime—This letter shall trace the truth. [Aside.]—My suspicions, madam, are much cleared; and I hope to satisfy your ladyship in my management, when I next see Sir Harry.
Sonia
ToddHW
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Post by ToddHW »

You are correct - the word "Aside" (often) occurs AFTER the words which are the aside. Goodness knows why but it has been true in all of Farquhar's plays.

I guess it saves the printer putting in "end of aside" after the aside words....

Thanks, Todd
Kitty
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Joined: March 28th, 2014, 5:57 am

Post by Kitty »

ToddHW wrote:You are correct - the word "Aside" (often) occurs AFTER the words which are the aside. Goodness knows why but it has been true in all of Farquhar's plays.

I guess it saves the printer putting in "end of aside" after the aside words....

Thanks, Todd
Ok thanks, so that's what I thought as well. Just to make sure that I intonate correctly ;)

Sonia
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