[COMPLETE][Biography/Music]My Musical Life by Walter Damrosch - kit
thank you, this is perfectly PL ok as well.lkirk wrote: ↑February 4th, 2024, 2:27 pmSection 27 is ready for proof listening. He does not hold back in his opinions of various composers!
https://librivox.org/uploads/kitty/mymusicallife_27_damrosch_128kb.mp3
Wow, this scene with the 14 pianos in one performance must have been mayhem
Sonia
-
- Posts: 104
- Joined: September 8th, 2022, 11:53 am
- Location: Neenah, Wisconsin, USA
- Contact:
As a music teacher and conductor, I can tell you from personal experience that pianists are the most difficult musicians to conduct. They just are not accustomed to playing in an ensemble, and many are choir directors, which means their instinct is to lead from the piano, not follow. Conducting a whole herd of pianists sounds like an impossible task.
Section 28 is ready for proof listening. A very short section!
https://librivox.org/uploads/kitty/mymusicallife_28_damrosch_128kb.mp3
2:26
https://librivox.org/uploads/kitty/mymusicallife_28_damrosch_128kb.mp3
2:26
how many did you have to conduct at the same time ? And yes, I can imagine the problems. I once saw a piano soloist play with an orchestra and they also had a conductor.
Sonia
-
- Posts: 104
- Joined: September 8th, 2022, 11:53 am
- Location: Neenah, Wisconsin, USA
- Contact:
Yes -- When a pianist, or any soloist, is accompanied by an orchestra, there is usually a conductor holding it all together. This usually goes well -- if the conductor and soloist get together before rehearsals to come to a common understanding about how the music should be interpreted.
How many pianists have I had in an ensemble? Fortunately, never more than one.
and it's perfectly PL ok, complete with the end of book outrolkirk wrote: ↑February 6th, 2024, 10:17 amSection 28 is ready for proof listening. A very short section!
https://librivox.org/uploads/kitty/mymusicallife_28_damrosch_128kb.mp3
thank you.
PLing will be put on a hold for a week now, as I'm driving on a short holiday trip.
Sonia
Section 24 is ready for proof listening. I know that you are away but I thought I would post it anyway so that it would be ready when you come back. Thanks.
https://librivox.org/uploads/kitty/mymusicallife_24_damrosch_128kb.mp3
17:18
https://librivox.org/uploads/kitty/mymusicallife_24_damrosch_128kb.mp3
17:18
-
- Posts: 104
- Joined: September 8th, 2022, 11:53 am
- Location: Neenah, Wisconsin, USA
- Contact:
Section 5 is ready for PL. https://librivox.org/uploads/kitty/mymusicallife_05_damrosch_128kb.mp3 30:40
A couple of notes --
According to the sources I've checked, the clarinetist mentioned on page 72, Muhlfeld, is spelled with an umlaut on the "u." So I pronounced it that way, even though Damrosch (or his editor or his proofreader) left the umlaut off.
Toward the end of the chapter, Damrosch discusses "Christus" by Franz Liszt. This oratorio is three hours long!! This is super-long, even for a Romantic-era large-scale chorus-and-orchestra piece. So in the final paragraph, where Damrosch writes --
“Like many other works of the greatest masters, a few
good cuts will add to the effectiveness of this oratorio.”
-- he must be speaking tongue-in-cheek. Nevertheless, I just read it straight.
A couple of notes --
According to the sources I've checked, the clarinetist mentioned on page 72, Muhlfeld, is spelled with an umlaut on the "u." So I pronounced it that way, even though Damrosch (or his editor or his proofreader) left the umlaut off.
Toward the end of the chapter, Damrosch discusses "Christus" by Franz Liszt. This oratorio is three hours long!! This is super-long, even for a Romantic-era large-scale chorus-and-orchestra piece. So in the final paragraph, where Damrosch writes --
“Like many other works of the greatest masters, a few
good cuts will add to the effectiveness of this oratorio.”
-- he must be speaking tongue-in-cheek. Nevertheless, I just read it straight.