I recorded a side by side comparison of two microphones trying to decide between them for audiobooks. Does one sound any better than the other here?
I'll call them Mic K and Mic L. I tried level matching them, with gain of K set to 68% and L set to 60%, then further normalized in software; Identical processing of both tracks with mild eq and compression.
I read list 1 of the Harvard sentences http://www.cs.columbia.edu/~hgs/audio/harvard.html recorded simultaneously and edited to play K then L of each sentence.
https://www.dropbox.com/s/2r7n0l3ypt8k7ir/mictest_k_l.mp3
Here is a snapshot of the setup:
https://www.dropbox.com/s/6vndmx8v8jbf6zs/IMG_2497-900.jpg?raw=1
I had done this before and decided there wasn't difference enough (and my reading is more the weak link) to not go with the smaller/lighter mic on a boom arm ... but once in awhile the sound quality bothers me a little when listening back on my consumer headphones with a V shaped frequency response. Does anyone here with their audiobook listening experience (and/or better ears than mine) have an opinion?
Thank you!
Scotty
Mic Comparison--Is One Better?
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I want to write this before I listen.
"Better" to me is also practical. I used to use a Rode NT1. But it irritated me; the shockmount got in the way and made it hard to position the Mic. I am finding the Rode Pod Mic, even though its specs aren't as good, to be easier to position where I want. It's also a directional [dynamic] microphone so I don't get the background noise or computer noise. Interestingly this breaks a rule "never do voiceover with a dynamic Mic" that I have come across.
Note: I am meaning the XLR Rode POd Mic. Needs my Scarlett interface and the amp has to be turned up because dyn amic Mics work that way.
"Better" to me is also practical. I used to use a Rode NT1. But it irritated me; the shockmount got in the way and made it hard to position the Mic. I am finding the Rode Pod Mic, even though its specs aren't as good, to be easier to position where I want. It's also a directional [dynamic] microphone so I don't get the background noise or computer noise. Interestingly this breaks a rule "never do voiceover with a dynamic Mic" that I have come across.
Note: I am meaning the XLR Rode POd Mic. Needs my Scarlett interface and the amp has to be turned up because dyn amic Mics work that way.

Too many planets to study in one lifetime.
I hear very little if any difference through headphones. L I think is maybe slightly more sibilant than K, but barely.
I'm going to second Light on practicality. I've used side-address cardioid condenser mics for years. Last year I tried a shotgun mic, and I'm sold. Not because it necessarily sounds better -- I can't detect any difference between it and my previous mic, but because I don't have this big fat mic in my face when recording. The shotgun basically becomes invisible to me. It's completely out of my way and out of my face, and I like that.
I'm going to second Light on practicality. I've used side-address cardioid condenser mics for years. Last year I tried a shotgun mic, and I'm sold. Not because it necessarily sounds better -- I can't detect any difference between it and my previous mic, but because I don't have this big fat mic in my face when recording. The shotgun basically becomes invisible to me. It's completely out of my way and out of my face, and I like that.
I think many podcasters swear by the Shure sm7b dynamic mic. I am also tempted to use the Sterling Audio p30 I got on a Guitar Center Daily Deal for $40 last year. Unlike most dynamics, it requires phantom power but needs less gain and has less noise (than my other dynamics) as a result. It sounds so close to mic L (Lewitt condenser) especially after rolling off the bass frequency that I think I could interchange them.lightcrystal wrote: ↑June 1st, 2023, 5:11 pm .... Interestingly this breaks a rule "never do voiceover with a dynamic Mic" that I have come across.
Note: I am meaning the XLR Rode POd Mic. Needs my Scarlett interface and the amp has to be turned up because dyn amic Mics work that way.![]()
Thank you, Mark! That is just what I hear too. I am always surprised how close these sound. Sibilance is my biggest issue which is why I come back to mic K (Rode tube mic) sometimes. I think it is warmer and smoother on the top and takes more aggressive eq better if need be but after my usual bass roll-off it sounds so close to L (a Lewitt condenser).sjmarky wrote: ↑June 2nd, 2023, 8:40 am I hear very little if any difference through headphones. L I think is maybe slightly more sibilant than K, but barely.
I'm going to second Light on practicality. I've used side-address cardioid condenser mics for years. Last year I tried a shotgun mic, and I'm sold. Not because it necessarily sounds better -- I can't detect any difference between it and my previous mic, but because I don't have this big fat mic in my face when recording. The shotgun basically becomes invisible to me. It's completely out of my way and out of my face, and I like that.
I have a couple of shotgun mics as well that do sound really close, just a little less full, but after that bass roll-off again they sound so close too.
I understand feeling freer with the less cumbersome mic. Maybe it helps with performance and stamina too which is likely a much bigger factor than slight sound differences.
scotty