Okay! Welcome to the cast!realisticspeakers wrote: ↑November 22nd, 2020, 12:49 am I would like to do the stage directions please.
COMPLETE[Play]Importance of Being Earnest (version 5) - thw
Thanks for getting this in so quickly!Algy Pug wrote: ↑November 21st, 2020, 9:40 pm Readings for Dr Chasuble:
Act 2 - 6:24
https://librivox.org/uploads/toddhw/importanceofbeingearnest_drchasuble_2_128kb.mp3
Act 3 - 1:50
https://librivox.org/uploads/toddhw/importanceofbeingearnest_drchasuble_3_128kb.mp3
Cheers
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https://librivox.org/uploads/toddhw/importanceofbeingearnest_stage-directions_1_128kb.mp3
As this is my first dramatic reading and uncertain of what I'm doing I took the liberty of adding articles like "the" and "an" to some of the directions to make it sound more listener friendly.
I've also added (appropriately I believe) the name of the character performing the action when not mentioned in the stage direction just to add clarity.
Open to criticism, comments, complaints, customizations, and counsel.
As this is my first dramatic reading and uncertain of what I'm doing I took the liberty of adding articles like "the" and "an" to some of the directions to make it sound more listener friendly.
I've also added (appropriately I believe) the name of the character performing the action when not mentioned in the stage direction just to add clarity.
Open to criticism, comments, complaints, customizations, and counsel.
Truth exists for the wise, Beauty for a feeling heart: They belong to each other. - Beethoven
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Thanks for getting this in so promptly!realisticspeakers wrote: ↑November 23rd, 2020, 2:06 am https://librivox.org/uploads/toddhw/importanceofbeingearnest_stage-directions_1_128kb.mp3
As this is my first dramatic reading and uncertain of what I'm doing I took the liberty of adding articles like "the" and "an" to some of the directions to make it sound more listener friendly.
I've also added (appropriately I believe) the name of the character performing the action when not mentioned in the stage direction just to add clarity.
Open to criticism, comments, complaints, customizations, and counsel.
No, you don't need to add anything. Just read what is on the page. Stage directions can sound a bit bizarre and bare-bones when you read them in isolation. However when the listener hears them in the final form, they will be mixed with other readers performing the dialogue that will make what's going on abundantly apparent.
I do this in all the plays I run. The audience in a theater can see who performs an action; a listener can not. So a stage direction for a line by character XYZ that is printed "XYZ: Picks up the book" benefits by having the "XYZ" added to the "Picks up the book" direction when recorded. And we have always allowed this.I've also added (appropriately I believe) the name of the character performing the action when not mentioned in the stage direction just to add clarity.
We also allow moving stage directions that are printed in the "wrong" place. For example. "aside" is often printed after the character words that should be said "aside", which is not useful. So we move "aside" to precede the words.
However, it is your project and as BC you decide what you want to do here.
Thanks, Todd
(Also: Moved us out of the Launch Pad to the Dramatic Works forum.)
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Here's Miss Prism!
https://librivox.org/uploads/toddhw/importanceofbeingearnest_missprism_2_128kb.mp3 6:22
https://librivox.org/uploads/toddhw/importanceofbeingearnest_missprism_3_128kb.mp3 2:38
https://librivox.org/uploads/toddhw/importanceofbeingearnest_missprism_2_128kb.mp3 6:22
https://librivox.org/uploads/toddhw/importanceofbeingearnest_missprism_3_128kb.mp3 2:38
School fiction: David Blaize
America Exploration: The First Four Voyages of Amerigo Vespucci
Serial novel: The Wandering Jew
Medieval England meets Civil War Americans: Centuries Apart
America Exploration: The First Four Voyages of Amerigo Vespucci
Serial novel: The Wandering Jew
Medieval England meets Civil War Americans: Centuries Apart
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ToddHW wrote: ↑November 23rd, 2020, 8:05 am The audience in a theater can see who performs an action; a listener can not. So a stage direction for a line by character XYZ that is printed "XYZ: Picks up the book" benefits by having the "XYZ" added to the "Picks up the book" direction when recorded. And we have always allowed this.
We also allow moving stage directions that are printed in the "wrong" place. For example. "aside" is often printed after the character words that should be said "aside", which is not useful. So we move "aside" to precede the words.
This is exactly what I was conscientious of while recording, having listened to the previous versions and perusing a few other plays.
Truth exists for the wise, Beauty for a feeling heart: They belong to each other. - Beethoven
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
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Last edited by RobMarland on December 8th, 2023, 12:53 am, edited 1 time in total.
Rob Marland reader section | website
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That's commitment!
Truth exists for the wise, Beauty for a feeling heart: They belong to each other. - Beethoven
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Thanks for getting this in so promptly!TriciaG wrote: ↑November 23rd, 2020, 8:23 am Here's Miss Prism!
https://librivox.org/uploads/toddhw/importanceofbeingearnest_missprism_2_128kb.mp3 6:22
https://librivox.org/uploads/toddhw/importanceofbeingearnest_missprism_3_128kb.mp3 2:38
Thanks for getting this in so quickly! ...And for your devotion to culinary verisimilitude!RobMarland wrote: ↑November 23rd, 2020, 9:06 am Here is Algernon, act 1
https://librivox.org/uploads/toddhw/importanceofbeingearnest_algernon_1_128kb.mp3
I made myself a cucumber sandwich (verdict: overrated). People vary in their tolerance for eating noises, but I've edited out the most objectionable and think it sounds OK. Feel free to edit around them if you prefer.
Thanks for moving us!ToddHW wrote: ↑November 23rd, 2020, 8:05 amI do this in all the plays I run. The audience in a theater can see who performs an action; a listener can not. So a stage direction for a line by character XYZ that is printed "XYZ: Picks up the book" benefits by having the "XYZ" added to the "Picks up the book" direction when recorded. And we have always allowed this.I've also added (appropriately I believe) the name of the character performing the action when not mentioned in the stage direction just to add clarity.
We also allow moving stage directions that are printed in the "wrong" place. For example. "aside" is often printed after the character words that should be said "aside", which is not useful. So we move "aside" to precede the words.
However, it is your project and as BC you decide what you want to do here.
Thanks, Todd
(Also: Moved us out of the Launch Pad to the Dramatic Works forum.)
It would be nice to have a short "Best Practices" type write-up on Stage Directions for first-time readers (and editors) posted somewhere.
I'd never paid much attention to them before, but I'm discovering there's a lot more variation in the way stage directions are given in scripts than I'd ever noticed. Sometimes it can be unclear what needs to be preserved and what can be left out.
Also, with the dramas I've been picking recently, it would be handy to have a short guide to interpreting Victorian stage notation available to point readers to -- since it's not exactly the same as the terms we use today.
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Truth exists for the wise, Beauty for a feeling heart: They belong to each other. - Beethoven
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Disclaimer:
"Kind reader, if this our performance doth in aught fall short of promise, blame not our good intent, but our unperfect wit."
Thanks!realisticspeakers wrote: ↑November 23rd, 2020, 1:05 pm https://librivox.org/uploads/toddhw/importanceofbeingearnest_stage-directions_2_128kb.mp3