Thank you. It's in the MW!vincentl wrote: ↑July 26th, 2022, 11:42 pm Section 8 - First half of Chapter 6
https://librivox.org/uploads/mightyfelix/englandsantiphon_08_macdonald_128kb.mp3
18:29
Is uploaded and ready for PL.
Thanks!
[COMPLETE] England's Antiphon by George MacDonald-mtf
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This is PL OK!Owlivia wrote: ↑July 23rd, 2022, 8:56 pm https://librivox.org/uploads/mightyfelix/englandsantiphon_07_macdonald_128kb.mp3
29:44.82
On the road again, so delays are possible
~ Larry
~ Larry
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Thank you for a nice reading of this section!vincentl wrote: ↑July 26th, 2022, 11:42 pm Section 8 - First half of Chapter 6
https://librivox.org/uploads/mightyfelix/englandsantiphon_08_macdonald_128kb.mp3
18:29
Is uploaded and ready for PL.
Thanks!
Just one correction to make at about 0:15
The author's name is George McDonald, not Charles McDonald.
On the road again, so delays are possible
~ Larry
~ Larry
OMG. How did I get the author wrong ?! LOL.silverquill wrote: ↑July 30th, 2022, 3:08 pm
Thank you for a nice reading of this section!
Just one correction to make at about 0:15
The author's name is George McDonald, not Charles McDonald.
Section 8 : Chapter 6
https://librivox.org/uploads/mightyfelix/englandsantiphon_08_macdonald_128kb.mp3
18:30
Corrected and ready for PL again.
-- Vinny Lerin
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Not like I've never done this!vincentl wrote: ↑August 2nd, 2022, 10:23 amOMG. How did I get the author wrong ?! LOL.silverquill wrote: ↑July 30th, 2022, 3:08 pm
Thank you for a nice reading of this section!
Just one correction to make at about 0:15
The author's name is George McDonald, not Charles McDonald.
Section 8 : Chapter 6
https://librivox.org/uploads/mightyfelix/englandsantiphon_08_macdonald_128kb.mp3
18:30
Corrected and ready for PL again.
Anyway, you're good to go now. PL OK
Thanks for a good reading!
On the road again, so delays are possible
~ Larry
~ Larry
The recording grew by 1 second when I re-recorded that author opening. If you want to update the MW it still says 18:29, the original time, not the 18:30 it is now.silverquill wrote: ↑August 2nd, 2022, 8:38 pm
Not like I've never done this!
Anyway, you're good to go now. PL OK
Thanks for a good reading!
-- Vinny Lerin
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Thank you both!
Hi,
Section 9 : Chapter 6 Continued
https://librivox.org/uploads/mightyfelix/englandsantiphon_09_macdonald_128kb.mp3
15:23
Is uploaded and ready for PL.
Thanks!
Section 9 : Chapter 6 Continued
https://librivox.org/uploads/mightyfelix/englandsantiphon_09_macdonald_128kb.mp3
15:23
Is uploaded and ready for PL.
Thanks!
-- Vinny Lerin
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In the MW, thank you!
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Glad to mark this one PL OK!vincentl wrote: ↑August 5th, 2022, 8:38 pm Hi,
Section 9 : Chapter 6 Continued
https://librivox.org/uploads/mightyfelix/englandsantiphon_09_macdonald_128kb.mp3
15:23
Is uploaded and ready for PL.
Thanks!
Thanks for the nice reading.
On the road again, so delays are possible
~ Larry
~ Larry
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I'd like to claim the following sections:
13 Chapter 10: Sir John Beaumont and Drummond of Hawthornden pp. 142-149
2053 words Open
14 Chapter 11: The Brothers Fletcher pp. 150-158
2102 words Open
Thank you,
Kerry Adams
Your Book Voice
13 Chapter 10: Sir John Beaumont and Drummond of Hawthornden pp. 142-149
2053 words Open
14 Chapter 11: The Brothers Fletcher pp. 150-158
2102 words Open
Thank you,
Kerry Adams
Your Book Voice
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Of course, thank you!yourbookvoice wrote: ↑August 14th, 2022, 8:26 am I'd like to claim the following sections:
13 Chapter 10: Sir John Beaumont and Drummond of Hawthornden pp. 142-149
2053 words Open
14 Chapter 11: The Brothers Fletcher pp. 150-158
2102 words Open
Thank you,
Kerry Adams
Your Book Voice
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Section 5 just opened up.
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I have encountered a number of footnotes in my sections, chapters 13 and 14, as well as a few marginal notations. How do you want me to handle these?
Frankly I found several quite informative, but they from a narrative perspective they are almost without exception awkwardly placed, disrupting the flow of the poem from a listeners perspective. I'd appreciate some direction on this.
Thank you,
Kerry Adams
Your Book Voice
Frankly I found several quite informative, but they from a narrative perspective they are almost without exception awkwardly placed, disrupting the flow of the poem from a listeners perspective. I'd appreciate some direction on this.
Thank you,
Kerry Adams
Your Book Voice
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If it occurs in the middle of the poem, please omit it. (Or if you really think it's THAT good and should be included, maybe you can move it to the end of the poem. Most of them won't stand to be moved, I'm betting.)