FULL[PLAY]One Act Play Collection 014 - thw

Plays and other dramatic works
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ToddHW
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Post by ToddHW » August 8th, 2020, 7:43 am

And The Lady in Waiting is also perfect. Nice and snooty.

Thanks, Todd

Kitty
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Post by Kitty » August 8th, 2020, 7:46 am

thank you both for the PLs :)

Todd: I had to look up "snooty" - a new vocabulary item in my glossary.

Sonia
Please join us all in our March clean-up event.
Let's bring those projects to a close. :9:

ToddHW
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Post by ToddHW » August 8th, 2020, 9:46 am

"with nose held high up in the air so as to keep the pinch-nez balanced properly" is my definition.

Thanks, Todd

jennlea
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Post by jennlea » August 9th, 2020, 10:27 pm

May I claim The Queen in “The Lover”?
-Jenn B.
My Recordings

silverquill
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Post by silverquill » August 9th, 2020, 11:33 pm

I would be glad to read the stage directions for The Lover, and Jesus for England's Easter.
~ Larry


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Post by Salvationist » August 10th, 2020, 6:39 pm

Here's the narration for England's Easter:

https://librivox.org/uploads/toddhw/englandseaster_narrator_logan.mp3 2:45

Am I allowed to PL my own recording? If so, I guess it makes sense to simply consider this part PL OK.
Salvationist

Join us to MARCH to the finish line by completing as many projects as we can during March! This thread tracks our progress and lists projects in need of readers/PLers.

ToddHW
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Post by ToddHW » August 11th, 2020, 6:18 am

Salvationist wrote:
August 10th, 2020, 6:39 pm
Here's the narration for England's Easter:

https://librivox.org/uploads/toddhw/englandseaster_narrator_logan.mp3 2:45

Am I allowed to PL my own recording? If so, I guess it makes sense to simply consider this part PL OK.
Thank you.

Everything HAS to be PL'd before we catalog, and what counts for that with Dramatic Works is the final PL of the assembled project after editing. That final PL can't be done by the editor - need new ears on it. (Note that finding someone to edit your project is one of the responsibilities of a BC having something in a One Act Play collection - there is no overall DPL.)

The PL of the individual parts as they are assembled is just a "convenience" - so that the editor does not find lines wrong or missing at the very end of the project when it is hard or impossible to track down the original readers and get fixes made that will be compatible with the original submittals. I would not wish to volunteer to edit a project without parts PL done. And as a reader I would very much want to be involved in a project with rapid parts PL so I can fix my errors while I and my equipment still sound the same. Even better, with feedback on first act submitted so I can address problems before doing other acts. (This last statement would apply to reading multiple chapters of a book too in the non-Dramatic Works world.)

Thanks, Todd

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Post by Salvationist » August 11th, 2020, 6:03 pm

ToddHW wrote:
August 11th, 2020, 6:18 am
Thank you.

Everything HAS to be PL'd before we catalog, and what counts for that with Dramatic Works is the final PL of the assembled project after editing. That final PL can't be done by the editor - need new ears on it. (Note that finding someone to edit your project is one of the responsibilities of a BC having something in a One Act Play collection - there is no overall DPL.)

The PL of the individual parts as they are assembled is just a "convenience" - so that the editor does not find lines wrong or missing at the very end of the project when it is hard or impossible to track down the original readers and get fixes made that will be compatible with the original submittals. I would not wish to volunteer to edit a project without parts PL done. And as a reader I would very much want to be involved in a project with rapid parts PL so I can fix my errors while I and my equipment still sound the same. Even better, with feedback on first act submitted so I can address problems before doing other acts. (This last statement would apply to reading multiple chapters of a book too in the non-Dramatic Works world.)

Thanks, Todd
Thank you for the explanation and advice, Todd! Do I understand correctly that, as the BC for England's Easter, I am allowed to PL individual parts and I am also allowed to edit, but that I will need to find someone else to be the DPL for this play for after I have edited it? If so, I will set out to find someone to DPL.
Salvationist

Join us to MARCH to the finish line by completing as many projects as we can during March! This thread tracks our progress and lists projects in need of readers/PLers.


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Post by Salvationist » August 14th, 2020, 5:48 pm

silverquill wrote:
August 9th, 2020, 11:33 pm
I would be glad to read the stage directions for The Lover, and Jesus for England's Easter.
Thank you for signing up to read the part of Jesus, Larry! I wanted to give you a heads-up that there is a typo in one of your lines. The line currently reads, "Unto the dead new live", but it should read "Unto the dead new life". You probably would have caught the typo, but I thought I'd mention it just in case.
Salvationist

Join us to MARCH to the finish line by completing as many projects as we can during March! This thread tracks our progress and lists projects in need of readers/PLers.

wib66
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Post by wib66 » August 15th, 2020, 1:55 am

Please may I claim the part of Britannia in Englands Easter

Also I can PL the narrator the final edited piece if you would like me to

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Post by Salvationist » August 15th, 2020, 6:49 am

wib66 wrote:
August 15th, 2020, 1:55 am
Please may I claim the part of Britannia in Englands Easter

Also I can PL the narrator the final edited piece if you would like me to
Thank you on both accounts, Michele! I would be glad for your to read Britannia and do the final PL.
Salvationist

Join us to MARCH to the finish line by completing as many projects as we can during March! This thread tracks our progress and lists projects in need of readers/PLers.


LydiaCW
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Post by LydiaCW » August 15th, 2020, 10:26 am

Could I claim Martha from England's Easter?
Lydia

Non nobis, Domine, non nobis, sed nomine tuo da glorium!

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