mightyfelix wrote: ↑September 12th, 2019, 3:47 pm
Finally! Here is Everybody's Husband, clocking in at a mere
53:14. (I really didn't realize while reading through it that it would be so long!)
https://librivox.org/uploads/toddhw/oneactplays012_04_various_128kb.mp3
I hope you enjoy it, Campbell! As always, I welcome any feedback about volume matching/balancing. I never really trust myself to be consistent with it, especially when editing is done in several sessions like this. Also, there was one part (during "The Guilty Mother," I believe it was) where "Bunbury, aside" keeps happening every other line, and I wasn't sure whether or not to cut the stage directions on a few instances. What do you think?
Wow, that is longer than I thought. Sounded great together. I think where you cut the asides and stage directions seemed fine to me. As for volume, I can tell what you're talking about. Even looking at the overall waveform, it goes up and down quite a bit. Most of the time I thought the transitions were smooth and I couldn't really tell, but there were a few times where the volume seemed to jump a bit. Also, occasionally there were one off lines that seemed either too quiet or too loud. These things seemed to happen more towards the end (or maybe my ears were just sensitive then). The list looks a bit long, but you can definitely choose to ignore some of these things.
0:35 –Dick’s voice credit could use some noise cleaning (this is the only line I noticed this)
3:30 – I would either decrease the volume slightly or give more space, just seems a bit harsh
27:13 –volume jump (up)
29:05 – volume jump (up)
33:00 – this line increasingly gets quieter, seems to be rather the transition between a louder part and a quieter part but happens a bit fast
33:40 – volume jump (up)
34:00 – The first part of Fanny’s line seemed a bit loud, and startled me a bit
35:02 – Twissleton’s line sounds quiet here
35:20 -35:30– these few lines seem quieter than what surrounds them
42:31-42:45 – these lines seem louder than those around it
43:16 – this line seems quieter than those surrounding
47:55 –volume jump (up)
48:36 – appears you were trying to cut out the words ‘center door on flat’, but ‘center’ still remains
49:00 begins to accelerate volume, but happens a bit fast (especially the gasp at 49:09)
50:02 – this line seems quiet
50:22 – volume jump (down)