~FULL(PLAY)The Bourgeois Gentleman by Moliere - thw

Solo or group recordings that are finished and fully available for listeners
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ToddHW
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Post by ToddHW »

The Bourgeois Gentleman by Moliere (1622-1673).

This project is complete. All audio files can be found on our catalog page: https://librivox.org/the-bourgeois-gentleman-by-moliere/
The Bourgeois Gentleman of the title is a middle-class social climber, assured that by learning all the arts of a true and noble gentleman, he shall truly become one. This enables Moliere to satire both the pretentious middle class and the snobbish aristocracy all at one time. Originally presented in 1670 before the court of Louis the 14th with music by Jean-Baptiste Lully, it was more recently re-choreographed by George Balanchine to music by Strauss. This will be a purely spoken version of the original. (ToddHW)

  • All the acts are done and ready for PL!


    Volunteers outside the USA: I can't find out when Translator Philip Dwight Jones died. His work may still be still protected by copyright in places, like Europe, where copyright is author's death plus 70 years, Australia (author's death plus 70 years for authors who died after 1954) or Canada (author's death plus 50 years).

    As Baltimore rests under its new record-setting blanket of snow and I am housebound, howsabout doing another play? Gender neutral casting.

    Gender neutral!



    1. Is there a deadline?
      We ask that you submit your recorded sections within 1-2 months of placing your claim. Please note that to be fair to the readers who have completed their sections in a timely way, if you haven't submitted your recording(s) after two months, your sections will automatically be re-opened for other readers to claim, unless you post in this thread to request an extension. Extensions will be granted at the discretion of the Book Coordinator. If you cannot do your section, for whatever reason, just let me know and it'll go back to the pool. There's no shame in this; we're all volunteers and things happen.Please do not sign up for more sections than you can complete within the two month deadline.
    2. How to claim a part, and "how it all works" here
      To find a section to record, simply look at point 5. below at the sections. All the ones without names beside them are "up for grabs." Click "Post reply" at the top left of the screen and tell us which section you would like to read (include the section number from the left-most column in the reader list, please). Read points 6. to 8. below for what to do before, during and after your recording.
    3. New to recording?
      Please read our Newbie Guide to Recording!
    4. Where do I find the text? Source text (please only read from this text!): http://www.gutenberg.org/ebooks/2992
    5. Please claim roles (the numbers in the first column below)! Please note: All Librivox recordings are in the public domain. When you submit your recording, you will be placing your recording in the public domain as well.

      If this is your first recording, please let me know under which name or pseudonym you'd like to appear in the LibriVox catalogue. We can also link to a personal website/blog.



      Please don't download or listen to files belonging to projects in process (unless you are the BC or PL). Our servers are not set up to handle the greater volume of traffic. Please wait until the project has been completed. Thanks!

      Prospective Prooflisteners: Please read the Listeners Wanted FAQ before listening! Level of prooflistening requested: standard

      Magic Window:



      BC Admin
      ===========================================
      This paragraph is temporary and will be replaced by the MC with the list of sections and reader (Magic Window) once this project is in the admin system.
      • Project Code: ijgLYaZu
      • Link to author on Wikipedia (if available): ( Moliere) : n/a
      • Link to title on Wikipedia (if available): https://en.wikipedia.org/wiki/Le_Bourgeois_gentilhomme
      • Number of sections (files) this project will have: 56
      • Does the project have an introduction or preface [y/n]: No
      • Original publication date (if known): 1670
        ============================================

        Genres for the project: Satire; Plays

        Keywords that describe the book:

        ============================================
      • BEFORE recording: Please check the Recording Notes: http://librivox.org/forum/viewtopic.php?p=6427#6430

        Set your recording software to:
        Channels: 1 (Mono)
        Bit Rate: 128 kbps
        Sample Rate: 44.1 kHz

        Submit one file per act.
      • Make sure you add this to the beginning of your recording:
        [Role], read by [your name].

        If you are reading stage directions, please include for each file:At the beginning: Act [#] of The Bourgeois Gentleman, by Moliere. This is a Librivox recording. All Librivox recordings are in the public domain. For more information, or to volunteer, please visit Librivox dot org.

        At the end: End of Act [#].

        Please remember to check this thread frequently for updates!
      • AFTER recording
        Save files as 128 kbps MP3
        bourgeoisgentleman_[role]_[#].mp3 (all lower-case) where ## is the act number.



        Transfer of files (completed recordings) Please always post in this forum thread when you've sent a file. Also, post the length of the recording (file duration: mm:ss) together with the link.
        • Upload your file with the LibriVox Uploader: https://librivox.org/login/uploader
          Image
          (If you have trouble reading the image above, please message an admin)
        • You'll need to select the MC, which for this project is: toddhw-toddhw
        • When your upload is complete, you will receive a link - please post it in this thread.
        • If this doesn't work, or you have questions, please check our How To Send Your Recording wiki page.

        Any questions?
        Please post below
jburlinson
Posts: 687
Joined: December 29th, 2014, 12:31 pm

Post by jburlinson »

Hi. Could I claim section 25 Master of Philosophy. Act 2 ?

This is a fun play -- lots of laughs. Thanks for producing it.

Thanks.
John Burlinson
ToddHW
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Post by ToddHW »

jburlinson wrote:Hi. Could I claim section 25 Master of Philosophy. Act 2 ?

This is a fun play -- lots of laughs. Thanks for producing it.

Thanks.
Thanks. I look for plays that I think will be fun - or at least interesting - to assemble.

Todd
Elizabby
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Joined: April 1st, 2011, 5:36 pm
Location: Kelsingra

Post by Elizabby »

I would like to read the dancing master please - takes me back to my dance teacher days! Trivia: I worked my way through college by teaching ballroom dance classes! Thanks partly to "Strictly Ballroom" I emerged after 7 years of college with no significant student debt! :9: That scene in Act 2 reminds me exactly of how I used to talk! :roll:

EDIT: Can I recommend to you, when you have space, BCing "The Mikado"? You read so beautifully for some of the other G&S plays I did but I don't think I'll be able to do any more. The Mikado has a couple of hilarious songs and some fascinating dialogue! You could be the Lord High Executioner! Defer, defer, to the Lord High Executioner! :clap:
ToddHW
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Post by ToddHW »

Candybatch wrote:I would like to read the dancing master please - takes me back to my dance teacher days! Trivia: I worked my way through college by teaching ballroom dance classes! Thanks partly to "Strictly Ballroom" I emerged after 7 years of college with no significant student debt! :9: That scene in Act 2 reminds me exactly of how I used to talk! :roll:

EDIT: Can I recommend to you, when you have space, BCing "The Mikado"? You read so beautifully for some of the other G&S plays I did but I don't think I'll be able to do any more. The Mikado has a couple of hilarious songs and some fascinating dialogue! You could be the Lord High Executioner! Defer, defer, to the Lord High Executioner! :clap:
Thanks you for being the Dancing Master. As I mention in the Summary, this play originally had music and ballet sequences. I'm glad we aren't dancing this version - I'd look like the dancing hippo in Fantasia....

BCing The Mikado could happen - though I have 4 plays currently open. I'll see when one of them finishes unless someone else picks up Mikado.

Thanks, Todd
JenniferFour
Posts: 542
Joined: December 11th, 2015, 5:04 pm
Location: New Mexico, USA

Post by JenniferFour »

Can I claim the fencing master, section 24? I was on my college fencing team :lol:
Critical feedback is ALWAYS welcome - in the forum or via PM
ToddHW
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Post by ToddHW »

JenniferFour wrote:Can I claim the fencing master, section 24? I was on my college fencing team :lol:
Welcome.

Thanks, Todd
alanmapstone
Posts: 7933
Joined: February 15th, 2012, 12:20 pm
Location: Oxford

Post by alanmapstone »

I would like to help by offering to be one of the Male Singers.
However, reading the words to be sung in act 4, they do not seem to have any rhythmic pattern at all. Do you have any thoughts about what music or chant is to be used?
Also in act 1 there is a passage marked Dialogue in Music for the same 3 singers. Would you want that sung or chanted as well?
Alan
the sixth age shifts into the slippered pantaloon with spectacles on nose
ToddHW
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Post by ToddHW »

Thanks! Downloading to PL.

Todd
ToddHW
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Post by ToddHW »

DANCING MASTER: All the misfortunes of mankind, all the dreadful disasters that fill the history books, the blunders of politicians and the faults of omission of great commanders, all this comes from not knowing how to dance.

I love this part. What great lines it has! And I can see that I will have to play Jourdain as a real thoughtless bore rather than just a clueless clod.
Act 1 PL OK.
Act 2 rewrites the dance pulse from a quadrille/march LA la LA la to minuet/waltz LA la la. But you have done it much too well for me to allow you to change it. Visually I can see you setting one pulse and Jourdain bumbling through in the other. What a fun play this would be to see! PL OK as well.

Thanks, Todd
ToddHW
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Post by ToddHW »

alanmapstone wrote:I would like to help by offering to be one of the Male Singers.
However, reading the words to be sung in act 4, they do not seem to have any rhythmic pattern at all. Do you have any thoughts about what music or chant is to be used?
Also in act 1 there is a passage marked Dialogue in Music for the same 3 singers. Would you want that sung or chanted as well?
If you record the words to a pattern of your own, I'll try to make the various chantings line up when I combine them. If worse comes to worse I'll do them sequentially rather than simultaneously.

You certainly may read both of the roles - Act 1 and Act 4 - if you wish. Since the MW has separate sections for each act anyway, separate readers for the two occasions would be okay - even better to have the same reader though. I'll mark that in the MW.

Thanks, Todd
Elizabby
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Location: Kelsingra

Post by Elizabby »

I guess I was channelling all those years teaching complete newbies the wedding waltz! (It actually happened to me once that I had a couple who came in for a course of lessons in waltz - then on the last lesson they brought in their song... and it was in 4/4 time! :roll:

Just for a change, I wanted our wedding waltz to be a Viennese Waltz (in 6/8 instead of the usual 3/4) but my husband wanted a glass of champagne and didn't think he could manage 6/8 afterwards! If you have ever seen a good fast Viennese waltz you will know what he means!

EDIT: This is a rather good example: https://www.youtube.com/watch?v=iwdWE-X2vRI
Last edited by Elizabby on January 26th, 2016, 3:07 am, edited 1 time in total.
Kitty
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Post by Kitty »

Hello Todd

I love Molière. I have seen a couple of his plays in our theatres (in French though). I have never read him in English, but would be interested, whether his wit is shining through there as well. Great idea :thumbs:

I would like to volunteer for Madame Jourdain, if that's ok with you.

Sonia
I will be on vacation from Wednesday 27 March till Sunday 14 April
and unable to PL during that time. Thank you for your patience.
ToddHW
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Post by ToddHW »

Welcome Madam Jourdain!

And yes, Moliere's wit is very well preserved in English.

Thanks, Todd
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