The Princess of Bagdad by Alexandre Dumas, fils (1824 - 1895).
Is it really a woman of your superiority who speaks of the proprieties of society? Are not women like you above all that? "Was I to come delicately and hypocritically to offer your husband the sum he stood in need of? "Arrange your affairs, my dear friend; you can give me back that trifle when you are able." I should certainly have acted like that if I had not loved you; loving you, ought I to do it, that is to say, to speculate upon your gratitude, upon the impossibility of your husband discharging his debt, and upon fresh and unavoidable necessities? That is a course that would have been unworthy of him, of me, and of you. No, you know it well, the proprieties and dignity are nothing any longer, when passion or necessity predominates. Did your grandmother respect the dignity of her daughter when she gave her up to a prince? ( From the Play)
I had been looking for things Egyptian or Middle Eastern when I found this. But it turns out that the Princess has ended up in poverty in Paris…
Casting is gender neutral.
Is there a deadline?
We ask that you submit your recorded sections within 1-2 months of placing your claim. Please note that to be fair to the readers who have completed their sections in a timely way, if you haven't submitted your recording(s) after two months, your sections will automatically be re-opened for other readers to claim, unless you post in this thread to request an extension. Extensions will be granted at the discretion of the Book Coordinator. If you cannot do your section, for whatever reason, just let me know and it'll go back to the pool. There's no shame in this; we're all volunteers and things happen.Please do not sign up for more sections than you can complete within the two month deadline.
How to claim a part, and "how it all works" here
To find a section to record, simply look at point 5. below at the sections. All the ones without names beside them are "up for grabs." Click "Post reply" at the top left of the screen and tell us which section you would like to read (include the section number from the left-most column in the reader list, please). Read points 6. to 8. below for what to do before, during and after your recording.
Please claim roles (the numbers in the first column below)! Please note: All Librivox recordings are in the public domain. When you submit your recording, you will be placing your recording in the public domain as well.
If this is your first recording, please let me know under which name or pseudonym you'd like to appear in the LibriVox catalogue. We can also link to a personal website/blog.
Please don't download or listen to files belonging to projects in process (unless you are the BC or PL). Our servers are not set up to handle the greater volume of traffic. Please wait until the project has been completed. Thanks!
Magic Window:
BC Admin
===========================================
This paragraph is temporary and will be replaced by the MC with the list of sections and reader (Magic Window) once this project is in the admin system.
Set your recording software to:
Channels: 1 (Mono)
Bit Rate: 128 kbps
Sample Rate: 44.1 kHz
Submit one file per act.
Make sure you add this to the beginning of your recording: [Role], read by [your name].
If you are reading stage directions, please include for each file:At the beginning: Act [#] of The Princess of Bagdad, by Alexandre Dumas, fils. This is a Librivox recording. All Librivox recordings are in the public domain. For more information, or to volunteer, please visit Librivox dot org.
At the end: End of Act [#].
Please remember to check this thread frequently for updates!
AFTER recording Save files as 128 kbps MP3
princessofbagdad_[role]_[#].mp3 (all lower-case) where # is the act number.
Transfer of files (completed recordings) Please always post in this forum thread when you've sent a file. Also, post the length of the recording (file duration: mm:ss) together with the link.
I think I have Godler's measure. May I read him please?
K. Adrian Stroet
“What ho!" I said.
"What ho!" said Motty.
"What ho! What ho!"
"What ho! What ho! What ho!"
After that it seemed rather difficult to go on with the conversation.”
P.G. Wodehouse My Man Jeeves
“What ho!" I said.
"What ho!" said Motty.
"What ho! What ho!"
"What ho! What ho! What ho!"
After that it seemed rather difficult to go on with the conversation.”
P.G. Wodehouse My Man Jeeves