Type of proof-listening required (Note: please read the PL FAQ): standard - Elli will PL
IMPORTANT - soloist, please note: in order to limit the amount of languishing projects (and hence the amount of files on our hard-pressed server), we ask that you post an update at least once a month in your project thread, even if you haven't managed to record anything. If we don't hear from you for three months, your project may be opened up to a group project if a Book Coordinator is found. Files you have completed will be used in this project. If you haven't recorded anything yet, your project will be removed from the forum (contact any admin to see if it can be re-instated).
Please don't download files belonging to projects in process (unless you are the BC or PL). Our servers are not set up to handle the greater volume of traffic. Please wait until the project has been completed. Thanks!
Magic Window:
BC Admin ===========================================
This paragraph is temporary and will be replaced by the MC with the list of sections and reader (Magic Window) once this project is in the admin system.
Number of sections (files) this project will have: 23
Does the project have an introduction or preface [y/n]: no
Original publication date (if known): 1901
If you are a new volunteer, how would you like your name (or pseudonym) credited in the catalog?
Do you have a URL you would like associated with your name?:
============================================
Genres for the project:
fiction, short-stories
The reader will record the following at the beginning and end of each file:
No more than 0.5 to 1 second of silence at the beginning of the recording!
Start of recording (Intro)
"Section [number] of From a SWEDISH Homestead . - This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information, or to volunteer, please visit: librivox DOT org"
If you wish, say: "Recording by [your name]"
Say: " From a SWEDISH Homestead , by Selma Lagerloef . Translated by Jessie Broechner [Storytitle] [Part #]*"
*if the story is split up.
For the second and all subsequent sections, you may optionally use the shortened form of this intro disclaimer:
"Section [number] of From a SWEDISH Homestead by Selma Lagerloef . Translated by Jessie Broechner This LibriVox recording is in the Public Domain."
If you wish, say: "Recording by Lars Rolander"
Only if applicable, say: "[Story title] [Part #]* "
End of recording
At the end of the section, say: "End of [Chapter]"
If you wish, say: "Recording by [your name], [city, your blog, podcast, web address]"
At the end of the book, say (in addition): "End of From a SWEDISH Homestead , by Selma Lagerloef . Translated by Jessie Broechner "
There should be 5 seconds silence at the end of the recording, or 10 seconds for files longer than 30 minutes.
Example filename
fromaswedishhomestead_##_lagerloef.mp3 (all lower-case) where ## is your section number. (e.g. fromaswedishhomestead_01_lagerloef.mp3)
Example ID3 V2 tags
Title: ## - [Section title]
Artist: Selma Lagerloef
Album: From a SWEDISH Homestead
Transfer of files (completed recordings) Please always post in this forum thread when you've sent a file.
Also, post the length of the recording (file duration: mm:ss) together with the link.
Upload your file with the LibriVox Uploader: http://upload.librivox.org
(If you have trouble reading the image above, please message an admin)
You'll need to select the MC, which for this project is: avs - aravis
When your upload is complete, you will receive a link - please post it in this thread.
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
Now I have added the titles to the sections of this collection. So now we can begin.
- And, in fact, I couldn't help myself, so I recorded the first section late last night. But it might take a bit of time before I can edit it, as I'm in the middle of editing chapters for my other projects at the moment. But the one who waits for something good .....
Lars
Good friends are like angels... ...you don't have to see them to know they are there
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
Section 03 has been uploaded.
It is, perhaps, a rather long section this time, but I just couldn't break it down into two parts here. I think you will see why while listening to it.
So section 03 begins at: --- “IV - It is quite certain the sun loves the open places outside the small village churches.” And it ends with: --- “curtsying and curtsying to every horse he met.”
Lars
Good friends are like angels... ...you don't have to see them to know they are there
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
"Tiefer und tiefer zogen die Buchstaben ihn hinab, wie ein Strudel aus Tinte...dorthin wo auch Staubfinger verschwunden war. An den Ort, an dem alle Geschichten enden." (Cornelia Funke)
(Summary by Lars Rolander)
