The Touchstone of Fortune by Charles Major

[Carolin]

http://www.gutenberg.org/ebooks/14242
The Touchstone of Fortune by Charles Major

Goddess Fortune seems to delight in smiling on a man who risks his all, including life, perhaps, on a desperate chance of, say one to one hundred. If her Ladyship frowns and he loses, his friends call him a fool; if he wins, they say he is a lucky devil and are pleased to share his prosperity if he happens to be of a giving disposition. Lucky? No! He has simply minted his courage.

The most remarkable illustration of these truths that has ever come to my knowledge is my friend George Hamilton, the second son in this generation of the illustrious House of Hamilton, Count Anthony being its present head. The younger son was penniless save for the crumbs that fell from his elder brother's table, and Count Anthony was one who kept an eye on the crumbs.

George, who was of an independent nature, accepted Anthony's grudging help reluctantly. Therefore when Charles II was restored to the English throne in 1660, the younger Hamilton, who had been with the king in exile, was glad to assume the duties of Second Gentleman of the Bedchamber in Whitehall Palace. With the pension attached to this office, winnings at cards and other uncertain revenues from disreputable sources, George was enabled to maintain himself at court where debts were not necessarily paid, where honesty and virtue were held in contempt, and where vice of all sorts was not only the daily stock in trade but the daily stock of jest and pleasure, boasting and pride; for what is the use of being wicked if one hides one's light under a bushel?

Hamilton was a favorite with those who knew him well and was respected by those who knew him slightly, not because of his virtues, for they were few, but because he was strikingly handsome in person, moderately quick of wit, generous to an enemy, kind to every one, brave to the point of recklessness, and decent even in vice, if that be possible. He was no better than his friends save in these easy qualities, but while he was as bad in all other respects as his surroundings, the evil in him was due more to environment than to natural tendencies, and the good—well, that was his undoing, as this history will show. A man who attempts to 'bout ship morally in too great haste is liable to miss stays and be swamped, for nothing so grates on us as the sudden reformation of our friends, while we remain unregenerate.

[Carolin]

http://www.gutenberg.org/ebooks/12057
Yolanda: Maid of Burgundy by Charles Major

At the time of which I write Louis XI reigned over France, Edward IV ruled in England, and his sister, the beautiful Margaret of York, was the unhappy wife of this Charles the Rash, and stepmother to his gentle daughter Mary. Charles, though only a duke in name, reigned as a most potent and despotic king over the fair rich land of Burgundy. Frederick of Styria was head of the great house of Hapsburg, and Count Maximilian, my young friend and pupil, was his heir.

Of the other rulers of Europe I need not speak, since they will not enter this narrative. They were all bad enough,--and may God have mercy on their souls.

Most of the really tragic parts in the great drama of history have been played by women. This truth I had always dimly known, yet one does not really know a fact until he feels it. I did not realize the extent to which these poor women of history have suffered in the matter of enforced marriages, until the truth was brought home to me in the person of Mary, Princess of Burgundy, to whose castle, Peronne La Pucelle, my pupil, Maximilian of Hapsburg, and I made a journey in the year 1476.

My knowledge of this fair lady began in far-off Styria, and there I shall begin my story.

[Carolin]

http://www.gutenberg.org/ebooks/14671
Dorothy Vernon of Haddon Hall by Charles Major

I draw the wizard's circle upon the sands, and blue flames spring from its circumference. I describe an inner circle, and green flames come responsive to my words of magic. I touch the common centre of both with my wand, and red flames, like adders' tongues, leap from the earth. Over these flames I place my caldron filled with the blood of a new-killed doe, and as it boils I speak my incantations and make my mystic signs and passes, watching the blood-red mist as it rises to meet the spirits of Air. I chant my conjurations as I learned them from the Great Key of Solomon, and while I speak, the ruddy fumes take human forms. Out of the dark, fathomless Past—the Past of near four hundred years ago—comes a goodly company of simple, pompous folk all having a touch of childish savagery which shows itself in the fierceness of their love and of their hate.

The fairest castle-château in all England's great domain, the walls and halls of which were builded in the depths of time, takes on again its olden form quick with quivering life, and from the gates of Eagle Tower issues my quaint and radiant company. Some are clad in gold lace, silks, and taffetas; some wear leather, buckram and clanking steel. While the caldron boils, their cloud-forms grow ever more distinct and definite, till at length I can trace their every feature. I see the color of their eyes. I discern the shades of their hair. Some heads are streaked with gray; others are glossy with the sheen of youth. As a climax to my conjurations I speak the word of all words magical, "Dorothy," and lo! as though God had said, "Let there be light," a fair, radiant girl steps from the portals of Haddon Hall and illumines all my ancient company so that I may see even the workings of their hearts.

They, and the events of their lives, their joys and sorrows, their virtues and sins, their hatreds, jealousies, and loves—the seven numbers in the total sum of life—pass before me as in a panorama, moving when I bid them move, pausing when I bid them pause, speaking when I bid them speak, and alas! fading back into the dim gray limbo of the past long, long ere I would have them go.

But hark! my radiant shades are about to speak. The play is about to begin.

[VfkaBT]

This was made into a popular silent film in 1924, starring Mary Pickford:
https://en.wikipedia.org/wiki/Dorothy_Vernon_of_Haddon_Hall_(film)

I think it was recently on Turner Classic Movies.